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       NEW LISTING 1/23/19
(Click on above thumbnails to enlarge photos)
warranty
RESTORED / REFURBISHED / FULLY SERVICED
VINTAGE FISHER AM/FM TUNER
FISHER STUDIO STANDARD FM-2310
ANALOG, WEIGHTED FLYWHEEL, SLIDE-RULE TUNING

#...0543
Circa 1977-79
Made in Japan / (MIJ)

for sale


ü Our technician has completely gone through and 'Certified' this unit.

ü We have completely gone through this unit cleaning everything including all switches, controls and contacts. Extensive cleaning of unit internally.

ü Control ( 'Output' potentiometer) was 'flooded' w/ 'De-OxId' and is now quiet

ü Switches / Selectors (rotary, toggle and slide) were also flooded with cleaner (unlike much of the other gear available at the time, the switches in this unit are NOT typical 'sealed, plastic housed' units, but metal cased with access for cleaning / servicing! That's a BIG DEAL from a service standpoint). Toggle switches on this unit FEEL QUALITY and substantial when you flip them, because THEY ARE!

ü RCA I/O jacks cleaned of surface corrosion.

ü We also aligned the tuner front-end on both AM & FM bands for optimum performance as older tuner components will have 'drifted' over the years.

ü AM 'Stick' ferrite core adjusted for optimum reception and minimal noise

ü Tuner string checked for any fraying then re-tensioned to increase traction & relieve flywheel binding and re-centered pointer to correct dial position.

ü Following it's initial refurb, I felt that the tuner flywheel was a bit 'sluggish' (and I've seen them 'freeze up' once they start having resistance to their motion), so I sent it back through the tech procedure, and had them disassemble the flywheel assembly (not a particularly easy task), clean the bushing / axel, and re-lube. Now is should be good for another 30-40 years. Frankly we are seeing this WAY more often on tuner flywheels, as the 'lubes' are hitting the end of their intended life.

ü All dial & meter lamps checked as good, and as they are 'low current draw', should offer lots of trouble-free service. (by the way, we could have changed these, but they're the original, 'worth their weight in gold almost', AEL-029, Blue-Pioneer bulbs. We did recoat them with their 'translucent blue' finish) (if you want, we'll change them out to 'new' prior to shipping, but we get to keep the originals)

ü New 'Stereo Indicator' lamp installed

ü Cosmetically the only issues worth mentioning are some light scuffs on the right side of face plate and the 'nic' at the top, left of the dial window bezel.

 
ü No power supply hum of any kind. It's dead silent!

ü All functions test fine,

ü Following restoration procedures, the unit was ran continuously for 48+ hours. Total restoration time investment ~5.5 hours. You will not be disappointed.
____________________________

Very impressive and classy looking Fisher 'Studio Standard Series" FM-2310, tuner with performance to match. Brushed aluminum face with matching knobs. 

Fisher FM-2310 Features:

- Weighted flywheel "slide rule" analog tuning with heavy, milled aluminum knob
- 6-gang tuner
- Analog Center Tuned Meter
- Analog Signal Strength Meter
- Additional Analog D-Arsonoval meter selectable for either Deviation / Multipath

- Stereo indicator lamp

  - FM Muting (separate from Stereo / Mono selector)
- Variable Output Level

- 400Hz Record test tone generator

  - Stereo / Mono / Hi-Blend selector (separate from FM muting selector. "Hi-Blend" reduces the annoying 'hiss' associated with many FM broadcasts, but still maintains stereo reception. VERY FEW tuners have this!)
- RCA outputs for 'Fixed' or 'Variable' ("Variable" obviously follows the "Output Level" control on the front panel)
- Adjustable core, Built-in AM Ferrite antenna on hinged bracket
- Un-switched convenience outlet on rear panel rated for 150 Watts
- Rear located 'mains' fuse

Fisher FM-2310 Tuner Specifications:

Tuning Capacitor:
6 gang, 4 FM / 2 AM
RF Sensitivity (Mono): IHF Usable - 9.8 dBf (1.7 μV)
RF Sensitivity (Mono): IHF Usable - 17.9 dBf (4.3 μV)
Capture Ratio: 0.8 dB
Frequency Response: 20Hz to 15kHz (limited only by FCC)
FM Alternate Channel Selectivity (IHF) narrow: 75 dB
THD @ 1k w/ 100% modulation / 65dBf output: 0.15%
19kHz Pilot Tone suppression:
100dB
FM Stereo Separation:
@ 1000 Hz: 46dB / @ 10kHz = 36dB
Signal-To-Noise Ratio (mono) @1k / 200μV or 85dBf output: 75 dB
Signal-To-Noise Ratio (stereo) @1k / 200μV or 85dBf output: 70 dB
AM Suppression Ratio: 46dB

IF Rejection @ 90Mhz: -95dB
Signal for 50dB quieting in Mono μV: 2.5 μV
Signal for 50dB quieting in Stereo μV: 34.0 μV
Signal for 50dB quieting in Mono dBf: 13.2 dBf
Signal for 50dB quieting in Stereo dBf: 35.9 dBf


This tuner is in fabulous condition. Again, we have completely gone through this unit. Looks both inside and out. As mentioned earlier, the only cosmetic issues worth mentioning are the light scuffs on the lower, right side of face plate and the 'nic' at the top, left of the dial window bezel. Works and sounds great as well! Will, of course, match well with any period components by any brand or from any period.
 Measures 17.5" wide x 14.5" deep x 6" high and weighs 18 lbs unpacked. Includes our standard 30 day limited warranty.
FISHER FM-2310
Cond. 8.5

$359.

 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

 

ü 

ü  Flywheel was removed, cleaned and reinstalled.

ü  The capstan was burnished, heads have been cleaned and de-magnetized as well as the entire transport.

ü  Again, the entire transport assembly was painstakingly disassembled, cleaned and re-lubed

ü  'Auto-Stop' mechanism disassembled and re-lubed with fresh 300,000 silicon damping fluid.



ü  Rewind 'back tension' adjusted.

ü  Motor 'start / run' capacitors checked.

ü  All three motors were re-lubed.

ü  Voltage selector repaired, its contacts were 're-sprung' and set for correct North American AC current at 117-120VAC.

ü  All internal pots / controls cleaned in both the playback amplifier, record amplifiers and the built-in 'audio' amp and tested for noise-free function.

ü  New VU meter illumination lamps / bulbs installed.

ü  Broken ‘Power’ toggle switch replaced with an original from another Sony TC-730

ü
  Both spindles were completely disassembled, cleaned and had their bearings / bushings cleaned and re-lubed and are in perfect alignment.

ü
  Heights adjusted on both reel tables.  

ü  Main Drive and both counter belts replaced for trouble-free service.

ü  Rubber pinch roller was removed, cleaned & reconditioned, as well as all internal drive tires / wheels for positive grip.

ü  Tape heads and entire transports demagnetized.

ü  Heads in great shape as well, with many hundreds of hours of performance left in them. ü  Head alignment / azimuth has been checked for peak performance on both play and record heads with factory STL 1k, 5k, 7.5k, 10k & 15k tones thru an oscilloscope.

ü  Plays INCREDIBLY WELL and Records fairly well at avg -2dB to -10dB 1k to 15kHz.

ü  Both PB output levels and VU meters playback internally adjusted for even response.

ü  We really put them through the paces, testing both with well mixed, recently recorded CD material and CD recorded /  factory test tones looking for correct head Azimuth and speed accuracy). Pinch roller and heads all in GREAT condition.

ü  All three internal speed pots adjusted to 100% accuracy on each speed independently, via cir bd micro-pots, utilizing 'Institute of High Fidelity' test tape meaning that 1Khz tape plays back at 1000Hz +/-1Hz!

ü  Following electro/mechanical restoration, unit received a cosmetic
 cleaning / detailing. Unit has a couple of minor issues. Missing ‘rear’ feet replaced with OEM / Sony Originals. About the only cosmetic issues remaining are: the ‘tip’ of the ‘Amp’ On/Off toggle switch is snapped off, so they’re short (still functions, just doesn't stick out as far as normal). The others are cosmetic in that there are a few 'minor battle scars' cosmetically with a few chips in the Formica finish on the casing and a few scuffs / scratches on the head cover / fascia.

ü  Entire unit still looks good, works and sounds GREAT! (We’re actually auditioning a ‘Johnny Cash’ “At San Quentin” Reel to Reel tape on the machine as I write this)

ü  (Total time investment in refurb / testing ~ 18+ hours).
Pinch roller and heads all in GREAT condition!!!
   ____________________________
 
   

 

        

 

            NEW LISTING 2/14/2023
 (Click on above thumbnails to enlarge photos)
 
CheckMarkSmall_web.jpg (792 bytes) warranty
FULLY SERVICED / REFURBISHED / RESTORED W/ WARRANTY
TEAC CASSETTE TAPE DECK
TEAC V-95RX
AUTO-REVERSE w/ STATIC 4-CHANNEL HEAD
BI-DIRECTIONAL RECORDING!

WITH DOLBY B, & dbx NR with IC LOGIC TRANSPORT

*GEAR DRIVEN HUBS!!!!!!!!!

#...1433
Circa early 1981-84
Made in Japan
for sale

 

HOLD FOR SHOP USE 12/22/2023



ü Our technician has completely and EXTENSIVELY gone through and 'Certified' this unit which involves removal (15 multi-pin connectors) / disassembly of the transport, cleaning inside and out, removal / disassembly of the transport, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below.

ü We also discovered that the entire 'head sled / braking' mechanism had the same old, stiff grease that the other models similar to this. The sled had to be removed, the old lube 'solvent cleaned' and relubed. This one also had an additional issue. The rubber brake pads were deteriorating (reverting back to their natural, 'gooey' state due to the way they were originally vulcanized) and not only were not contacting the reel hubs anymore (means NO brakes), but their 'gooeyness' was causing the sled to be additionally sluggish. New rubber brake pads were fabricated and installed. This was a BIG operation.
    


ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Adjusted internal power supply to proper 12.0VDC

ü Counter belt - NO counter belt. It's *GEAR DRIVEN!!! (means no counter belt and MOST importantly, NO idler tire(s) to worry about. That's a BIG deal!) 

ü Capstans cleaned / burnished

ü Main Capstan / Flywheel belt replaced originally with #FRM10.2 (what was called for), then #FRY10.0 (caused too much flutter) then found deck performed better regarding speed accuracy and Flutter with #FRY10.4 belt.

ü Main pulley end bushing lubed.

ü Rubber pinch roller mechanism bushings & axles cleaned of old, stiff lube, reconditioned and re-lubed. 


ü Rubber pinch roller removed from PR arm and lathed and re-conditioned and now in GREAT condition!!!  

ü All internal pots, switches and controls cleaned and tested for noise-free function.

ü All Fluorescent displays and LED's working fine.

ü Both hub spindles in perfect alignment

ü FF, REW, & Play transport functions all test perfectly and controls tested for 'positive / accurate' responsive.

ü "CPS" (programmable song search) tested and working

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output.

ü Record bias adjusted ("0dB" referenced to .775V per service manual)

NOTE: Found service manual misprint: Specified Line in is 436mV = -5dB (NOT -9dB). Just FYI for anyone working on one of these.


ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources'. Both channels now even output.

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 99.99% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1001Hz +/- 1 Hz. Initially the deck was running at 1015Hz. The service manual allows for an error range of +/- 23Hz! Yuck!!!)

ü Playback meters zero with factory test tone tape.

ü Tape Counter and 'Memory' Function tested

ü Floor noise measured at -74dBm

Following service / fine tuning;

ü Recording tests performed with TDK "SA-100" High-Bias UDXL-II and TDK Metal Tapes.
Here’s the results;
TDK "SA-100": 1KhZ with No NR @ 0dB; L= -1dB & R= -1dB R with virtually no artifacts
TDK "SA-100"
: 1KhZ with Dolby B NR @ 0dB; L= +1dB & R= 0dB R
TDK "SA-100": 1KhZ with dbx NR @ 0dB; L= 0dB & R= +2dB R
Recorded program from "ddd" source sounds great as well.
It's nice recording on a deck that's 'dialed in' properly!


Total technician time to restore ~
24.5 HOURS!
  ____________________________
  
The TEAC V-909RX, Stereo Cassette Tape Deck Auto-Reverse, with 'Bi-Directional Recording' via a static head, IC logic, Dolby B &
*dbx NR & MORE!

TEAC V-95RX Features include:
  

- Super Hard, Permalloy' PB / REC heads
- GEAR DRIVEN!!! (means no counter belt and MOST importantly, NO idler tire(s) to worry about. That's a BIG deal!) 
- Tri-mode Auto-Reverse with "4-Channel" head. The 4-channel head eliminates the issues of azimuth normally associated with auto-reverse designs. (we do not see that it works optically, but based on when the counter stops at the actual end of the tape which is typically how 'auto-reverse' functions).
- 3 Motors (one for capstan drive, 1x for reel drive and one for ancillary control
- IC logic "touch-control" tape transport with motor driven 'cam control mechanism' (allows you to switch between 'Fast Wind' or 'Play' modes without pressing 'Stop' w/ no fear of spilling / dumping tape'...AND it's FAST!)
- Dolby-B & dbx noise reduction built-in for recording and playback
- Manual Tape Type / EQ selector for Normal, CrO2 & Metal tape
- Variable Output level control
- LED display / VU signal level Indicators
- 2-speed Electronic / Touch Record Level controls w/ R&L Balance
- Record Mute function
- Digital Fluorescent Tape Counter
-
Auto-Fader, w/ Two speed control to fade Record levels up and / or down (handy for recording 'live' music or tracks that go from one to another too quickly)
- Punch-In Recording capable (Just press REC and Play while in "Play" mode. Then press stop to end recording of the new section)
- "CPS" / Computer Program System (song search)
- 'Block Repeat'; essentially the same as A to B repeat (repeats a section of tape or of a song. Great for learning parts such as lead guitar or keyboards, practicing harmony or for language practice)
-
Timer Function for Playback or Record
-
Dual 1/4" microphone inputs
- Front Mounted, 1/4" headphone output
- 8-pin port for optional 'wired' remote control, TEAC RC-95 (not available from us)


TEAC V-95RX Specifications:

Track format: 
4 track / 2 channel
Heads: Super-hard Permalloy, Three Heads; 2x Erase, 1x Record / Play
Motors: 3x, one for capstan drive, one for reel drive and another for ancillary control
Freq Response: w/ Metal tape; 30-19,000 Hz +/- 3dB @ -20dB
w/ CrO2 tape; 30-18,000 Hz +/- 3dB @ -20dB
w/ Normal / LN tape; 30-16,000 Hz +/- 3dB @ -20dB
Dynamic Range: 110dB w/ dbx @ 1kHz
THD: 2.2% or less w/ Metal CrO2 and 2.0% or less w/ Normal tape
Wow & Flutter (WRMS): 0.045%-0.07% on Playback & 0.25% on Recording
S/N ratio w/ CrO2 / Metal tape, dbx NR: >91dB
S/N ratio w/ CrO2 / Metal tape, Dolby B NR: up to 64dB
S/N ratio w/ Normal tape, No NR: >59dB
Channel Separation: >30dB @ 1k
Channel Crosstalk: >40dB @ 125Hz
Bias Frequency: 65dB @ 1kHz
Erase Efficiency: >65dB @ 1kHz
Line Input: 60mV & 50K Ohms or greater
Line Output: 3V & 50K Ohms or greater
Tape speed deviation: 45Hz @ 3kHz
Tape speed drift: 30Hz

Headphones
Output: approx; 2.2mW w/ 400Hz = 0dB w/ Output control @ max with 8 Ohms load

Fast Wind time (C-60 0): ~80-90 sec.


Cosmetically, it's in great cosmetic condition. The one thing to mention is that the little 'flip down' door that covers some record level functions will not stay closed. You can either leave it in the open position, or simply remove it (easy to do as shown in above photos).
Again, we have EXTENSIVELY and completely refurbished and following that work, thoroughly tested this deck. From a 'feature' standpoint, IT'S LOADED!!! Also great for transferring your tape collection to CD, Hard-drive or MP3.
Measures 18.3" wide x 11.3" deep x 6" tall and weighs a heavy ~14 lbs unpacked.

Comes with our 30 day limited warranty.
RESTORED / REFURBISHED / SERVICED TEAC V-95RX
Cond. 8.5++
$949.

HOLD FOR SHOP USE 12/22/2023

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

 

         

NEW LISTING 5/16/2024
(Click on above thumbnails to enlarge photos)
CheckMarkSmall_web.jpg (792 bytes) warranty
 
FULLY SERVICED / REFURBISHED / RESTORED
 VINTAGE SONY 1/4" REEL-TO-REEL STEREO TAPE DECK
 SONY TC-355 / TC355
 4-TRACK / 2-CHANNEL STEREO OR 4-CHANNEL MONO
 3-SPEED / 3 HEAD / Sound-On-Sound
 5"
* - 7" REEL CAPACITY
 Circa 1967-70

 (Does not have adjustable AC power for overseas operation. Only for North American use)

 
MIJ
 for sale

 

 
Original observations / conditions:
"Surprisingly 'clean' inside and out. Once pushed up by hand, speed was at 775Hz (vs 1kHz), varied and gradually slowed as tape progressed over a few minutes. Playback and Recording had decently and surprisingly strong and even levels for a deck that was in 'as found' condition. Fast wind sluggish / iffy. Fast Wind reluctant to start depending on progress thru tape. Auto-Stop wire sticky. Very noisy 'Joint Roller'. Typically dirty & intermittent pots / controls."
 
 
Our technician has completely gone through and 'Certified' this unit.
 
  
ü We have completely and extensively gone through the mechanicals and electronics of this unit.
 
 
ü Entire transport was disassembled down to the chassis, and every mechanical part was cleaned of "varnished" lubes, re-lubed and reassembled. Again, the entire transport assembly was painstakingly disassembled, cleaned and re-lubed as well as the always at issue, 'Pinch Roller swing arm' 'plunge' assembly
 
 
ü New 'Main Drive' belt replaced for trouble-free service.
 
 
ü All three internal drive tires / wheels removed, reconditioned on drill press and solvent cleaned for positive grip
 
 
ü Capstan / flywheel removed, cleaned and burnished. Axle / bushing cleaned and re-lubed. New E-Clip installed for flywheel retainer.
 
 
ü Both Supply and Take-Up reel hubs / clutches removed, disassembled, cleaned and adjusted. Bearing / bushing surfaces re-lubed. Clutch surfaces re-textured
 
 
ü All hub brake pads have been resurfaced and re-glued.
 
 
ü Motor re-lubed at both front and rear ports
 
 
ü Internal power supply adjusted to proper +25VDC. Checked for 'ripple' with Oscilloscope .

 
ü New fiberglass tape on RF shields
 
 
ü All Internal & External pots, controls, & switches (including the linear 'record' switches) cleaned and tested for noise-free function ("Tape / Source" cleaned multiple times).
 
 
ü Both spindles in perfect alignment.
 
 
ü We also checked the reel table heights for no "reel rub".
 
 
ü Pinch roller reconditioned / re-surfaced.

 ü Re-Sprung Re-wind mechanism arms
 
 
ü Auto-Stop wire disassembled, cleaned and new 500,000 silicone installed. Mechanism tested for proper 'drop' time and stopping time once remainder of deck restored.
 
 
ü VU meter illumination and 'Record Indicator" lamps tested as working fine.
 
 
ü Internal 'Bias', 'Record-Level' and 'Play Back Level' micro-pot levels adjusted (bottom side of lower circuit board).

 
ü Both linear record switches cleaned.
 
 
ü Heads were cleaned and de-magnetized as well as the entire transport.
 
 
ü Tape pressure pad mechanism adjusted properly for 'just enough' tension on all heads.
 
 
ü Head alignment / azimuth has been checked for peak performance with 10kHz factory test tone / alignment tapes and oscilloscope on both Playback and Recording.
 
 
ü Both level meters adjusted for even playback level w/ 700Hz STL factory test tone tape.
 
 
ü Floor noise tested to >54dB w/ fresh, blank tape on PB.
 
 
ü Plays and Records GREAT w/ 0dB / 1kHz in = +5dB / 1kHz out on Ampex 456GM tape, AND, in 'real world' testing, we found that it actually performed great on standard, Scotch "150" tape (also allowed 0dB on both Pink Noise & 1Khz). DDD 'Real World' CD recording sounded GREAT with very little high frequency loss! Deck actually sounds awesome and is probably in the top couple dozen, best sounding tape decks we've finished over the past couple decades.
 

 
ü Speed checked to 97.7% accuracy (meaning that a 1kHz test tape PB @ 1024Hz / +102.4%).
 
 
ü During the above procedures, entire unit was detailed inside and out
 
 
ü Again, Pinch roller and Heads all in GREAT condition.
 
(Total time investment in refurb / testing
18+ hours).
 Cosmetically in great condition!
   ____________________________
     
 GREAT performing Sony TC-355 1/4" Open Reel stereo tape deck with 3-Speeds! Great for all-around Playback and recording of reels up to 7" in diameter. Also has all three consumer reel speeds as you will see listed below. Great for burning your tapes to CD or Hard Drive or for a 'media transfer business'.

A couple of other interesting features of this particular deck over many other R2R’s.

- It allows for ‘Sound-On-Sound’
- Also the ‘hub brakes’ are completely released when it’s ‘Paused Play’ mode. This means that you can manually manipulate the reels back and forth by hand for the ‘scratch’ effect DJ’s get with ‘direct drive’ turntables.
- The above ‘brake release’ design also makes this deck conducive for making ‘Tape Loops’
- Finally, as it’s not only a 3-Head deck, but also 3-speeds (1 7/8ips which is slower than many R2R decks) it can also be used with a mixer as a ‘Tape Delay’ for guitar, Vocals and other instruments and since it has the slower speed as well makes it much more versatile as a ‘Tape Delay’.

 
 SONY TC-355 Features include:
    
 
 
- Triple speeds at 7.5 ips / 19cms, 3 3/4ips / 9.5 cms and extra long 1 7/8 ips / 4.75 cms
 - 3-Heads for instant monitoring of tape levels / record quality while recording
 - 5*" / 7" Reel Capacity (*compatible with standard 4-Track / 2-Channel tape format)
 - 4-Track / 2-Channel Stereo operation, or 4-Track / 4-Channel 'MONO' operation (meaning it will also play tapes recorded in the early 1960's!)
 - Separate L & R input level controls
 - Auto-Stop
 - Dual analog VU meters for monitoring Playback and Record levels
 - "Sound-On-Sound" capable w/ independent L & R record engage switches
 - Built-in Sony "Noise Suppression" circuit
 - Dual front mounted 1/8" mic input jacks
 - 1/4" Stereo Headphone jack
 - Mechanical Tape counter
 - Pause "Inst-Stop" lever
 - RCA and DIN inputs and outputs

     
 Original SONY TC-355 Specifications as follows:
   
 Power Requirements:
30 watts, АС 100 V, 110 V, 117 V, 125 V, 220 V, 240 V 50/60 Hz       
 Tape Speed: 7.5 ips / 19cms, 3 3/4ips / 9.5 cms and extra long 1 7/8 ips / 4.75 cms mechanically switched with single lever, with automatic switching for equalization changes       
 Reels: 1/4" tape on 7 inches оr smaller
 Recording Format: 4-track stereophonic оr monophonic
 Frequency Response: 20-25,000 Hz @ 7 1/2ips.
                                    30-17,000 Hz @ 3 3/4 ips.
                                    30- 9,000 Hz @ 1 7/8 ips.
 Signal-to-Noise Ratio: > 52 dB @ 7 1/2 ips.
 Flutter and Wow: < 0.15% @ 7 1/2 ips.
                            < 0.30-50% @ 3 3/4 ips.
 Harmonic Distortion: < 1.6% @ 7 1/2 ips.
 Level Indication: Dual Analog VU Meters
 Record: Calibrated to NAB standard reference level
 Playback: Calibrated to 0dB line output level
 Recording Time: With 1,800' tape
 (4-track stereo)  (4-track mono) 7 1/2 ips  1 hr. 30 min.                  / 3 hr. & @ 3 3/4 ips. 3 hr. / 6 hr.
 Inputs: Dual 1/8" Microphone Input Jacks w/ Sensitivity -72dВ (0.19mV) & Impedance 600Ω
 Auxiliary Jacks w/ Sensitivity -22 dB (0.06 V) Impedance 560 kΩ
 Outputs: Line Output Jacks w/ Output level 0dB (0.775 V) & suitable load impedance >100 kΩ.
 Headphone Jack's Output level -28 dB (0.031 V) Impedance 8Ω
 DIN Record /Playback Connector: Output level 0dB (0.775V) Impedance 10kΩ & Input sensitivity -40dВ (7.75mV) w/ Impedance 10 kΩ
 Heads:  РР30-2902А, RP30-2902, EF18-2902H2
  
 
 Again this is a great performer sonically and especially mechanically. This deck has had extensive restoration. It's pretty much had the clock rolled back 40 years on it. Heads are in surprisingly great shape with great 'Hi-Freq' response. Looks great & Ready to go! Can be used standing vertically or laying on it's back horizontally. Comes with one pair of rubber reel retainers and a take-up reel. Includes a pdf download 'e-copy' of the Sony TC-355 owners manual and the service manual if the purchaser wishes. Includes our standard 90 day limited warranty. Measures 15.25" wide x 7" deep x 14" tall and weighs 24 lbs unpacked.
  (Reels & tape shown in photos not included. All are sometimes available separately depending on stock levels.) 

 SONY TC-355 REEL TO REEL TAPE DECK
 Cond. 8.5
+
 
$1399.
 
 
(Reels shown in photos are not included, but we sometimes / occasionally have them for sale. Inquire at time of order. However, all of our decks will come with 2x tapes for testing 'Playback' and 'Recording' as well as a 7" 'take-up' reel. This deck will come with a TDK 'Audua' tape that we have recorded on for playback tests, that you may further record on if you desire)
  

  
 (Above text property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)
 

 
 
 

Tannoy PBM 6.5
The Tannoy PBM 6.5 much used by studio's worldwide


"The transportable and extremely powerful PBM 6.5 is the result of many years of fine tuning of the PBM concept. Featuring a unique layered injection-molded bass driver and a superb high frequency unit, the 6.5 is the ideal monitor for almost any project production environment. The drivers are controlled by a completely redesigned hardwired hand selected crossover providing uncompromising detail, precise spectral resolution and flat response.
..The fully radiused and ported cabinet design reduces resonance and diffraction while providing deep line and extended bass. When quality. accuracy and the legendary Tannoy sound are available at such a remarkably reasonable cost, there is simply no other choice."


S P E C I F I C A T I O N S

WOOFER DESCRIPTION 6½" injection molded cone with nitrile rubber surround.
TWEETER DESCRIPTION ¾" polymide soft dome ferro-fluid cooled.
FREQUENCY RESPONSE (±3dB) 55Hz - 20kHz (-10 dB @ 40Hz)
PEAK POWER HANDLING 100 Watts
IMPEDANCE 8 Ohms (4 Ohms minimum)
SENSITIVITY 91dB (88 dB anechoic)
CROSSOVER FREQUENCY 2.3kHz
FINISH pewter grey vinyl
DIMENSIONS (inches) H 12.56 W 8.5 D 8.13 (mm) H320 W 216 D 213
WEIGHT (lbs.) 12 (kg.) 5.5
LIST PRICE: $475.00 a pair

I have a pair of PBM 6.5mkII. They served me very well for many years. Musical and practical speakers.”

“I use Tannoy - PBM 6.5 for mastering and it works great!!”

“I can't say enough good things about these dynamos. I have used them in my row home at ungodly listening levels as well as at a nice respectable volume. They are clean, clear, transparent and really natural sounding. It's what a studio monitor is supposed to do, add nothing other than what is contained in the program material. Where they really shine is with vocal, midrange and horns. Crisp, sparkly, shimmering highs explode from these in a way that belies the diminutive size. Best when elevated and placed carefully away from a rear wall as the rear firing bass port's placement is the key to the bass definition. Never tiring to listen to and a great value.”

“I own a pair of PBM 6.5 for recording and mixing purposes for the last 19 years!!! The response and image projection is outstanding considering price range. For they are a classic for music and post production….They are as important as Yamaha's NS-10m. Without wearing my ears out.”

“I loved my PBM 6.5s - used in studio and for listening.”

“Thanks for the web site! I bought mine "used" from a music center that has since closed down. The where used for the first city fireworks extravaganza here in Houston TX as monitors for some famous composer that put all of music together. I was told he was pushing 1000 Watts through them. When I heard them, they were playing through a 400 watt system with clarity I never heard before in regards to monitors. No coloring of the sound make mixing perfect. EQ later. Play them through a straight amp and put at least a foot of space behind them with no foam or baffling.”

“I loved my PBM 6.5s - used in studio and for listening.“

“I have had my pbm's for at least 15 years and they are still the only ones I have in my home project studio. Still going strong.”

“I have had my PBM 6.5 for 25 years and they are still going strong. I use them in my home studio Dj'ing and mixing music.”

 



 


 

 

 


PHOTOS COMING
 

NEW LISTING 9/27/2021
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 PRE-OWNED
GC ELECTRONICS
AUDIOTEX LABORATORIES / AL
"DIRECTOR"

 AUDIO TAPE MONITOR / EFFECTS LOOP / SOURCE SWITCHER / PROGRAM ROUTE SELECTOR

  
for sale
This is a very versatile input source / tape monitor switcher
. Very easy and straight forward to use. Adds 5 source inputs to any single input on a receiver / pre-amp. 2x AUX (may also be used for Video / CD / DVD /DAT / VCR / MP3 / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS®  etc.) and 3* Tape monitors / loops. Selects between 3 tape decks (Reel to Reels, Cassette Decks, 8-Track Decks, DAT's, CDR's, iPod's, MP3 Players, DVD Audio as well as (may also be used for Video / CD / VCR / MP3 / iPod® / iPhone® / iTouch® / iGadget / MP3 / XM® / SIRUS®  etc.). Even though "Processor / Tape Mon 3"* is the only one labeled for "processor", you can use a "processor" on any 'Tape Monitor'. Processors include; Reverbs, enhancers, delays, dynamic processors, EQ's etc. 36 RCA jacks on rear panel! We have completely gone through the unit cleaning all switches and contacts. We also removed the main circuit board and burnished the oxidation off all the RCA jacks. New silicone feet / pads installed on bottom panel. All functions test great. These are great "tools" to have in any audio system, 'pro' or home. Greatly enhances the versatility of most systems. The unit looks NEW! Measures 7.5" wide x 2" tall x 4.5" deep and weighs ~1 lb unpacked. Includes our standard 30 Day limited warranty! * "Tape 3" requires DIN-RCA cable. They are available typically for additional charge if you need them.
AL "DIRECTOR"
Cond.
8.5++
 $69.




NEW LISTING 12/6/2022

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RESTORED / REFURBISHED / FULLY SERVICED
VINTAGE DUAL STACKER / CHANGER TURNTABLE
DUAL 1209
FULLY AUTOMATIC
STACKER / CHANGER
IDLER WHEEL DRIVE
TURNTABLE
PLAYS 78'S TOO!
 MADE IN WEST GERMANY
#...2184
Circa 1970-72

for sale

ü  Our technician has EXTENSIVELY gone through and 'Certified' this unit, cleaning inside and out, lubricating mechanism, adjusting tone arm lead out and testing performance.
 
ü Entire automatic mechanism COMPLETELY disassembled, de-greased, cleaned and re-lubed, (never an easy task on 'auto' turntables) including; the 'Actuating Slide and Pawl', and both plates.

ü 'Speed Change' mechanism disassembled, de-greased, cleaned and re-lubed

ü All internal rubber parts reconditioned including, of course, the idler wheel.

ü Drive motor completely disassembled, cleaned and re-lubed.


ü Steuerpimpel replaced (this is a 'MUST DO')

ü Steuerpimpel glider pad in fine shape, and fully operational
 
ü Platter bearing disassembled, cleaned of old lube and re-lubed.
 
ü Gimbal bearing, counter weight and anti-skating all adjusted and verified for accuracy.
 
ü Tone arm Lead-In and Lead-Out.
 
ü Tone arm bearing perfectly smooth in operation.

ü Idler position centered for more positive speed positioning w/ selector.

ü Original Dual Changer / Stacker Spindle inspected, re-lubed with 'dry lube' and EXTENSIVELY tested on multiple tables (see below)

ü Burnished RCA output connectors under chassis

ü He also replaced the anemic, factory RCA cables, with some much higher grade, fully shielded interlink cables, w/ 24kt gold RCA connectors.

ü Original platter mat warp & bubble free.

ü Re-glue, and Lemon Oil Teak wood veneer case / base

ü Proprietary Dual 'cartridge sled' inspected, and had both mating contact sets burnished (primarily to address 60Hz hum)

ü New Shure M91-E, Elliptically cut, Diamond Stylus, installed on the Shure 'magnetic' cartridge. Tracking and Bias force also re-set to 2g.

ü Tested / analyzed and passed for motor noise and 60Hz hum.

ü Speed checked and verified for accuracy with technician's factory test strobe disc.
 

ü He also did an 'orbital buff' to the dustcover and it looks GREAT! Has cracks at each rear corner that have been 'plastic welded' solidly back.

ü Table cosmetics detailed.

ü Unit tested with our myriad of test records, one of which included; Shures' 'Cartridge Obstacle Course' record


Restoration entailed approx 17+ hrs w/ followed with about MANY hours of testing w/ many albums (mostly because we enjoyed having a 'quality' changer on one of the test stations to listen to).

As this turntable has a 'magnetic cartridge' (unlike most 'stacker / changers' which have 'crystal / ceramic / piezo' pickups) you can readily connect this table to any receiver or Integrated amplifier input. For a basic system, or wanting to get introduced or re-introduced to stacking vinyl records, this is a great table.

You can readily connect this table to any receiver (including 'modern / A/V / Home Theater receivers) or Integrated amplifier with a standard magnetic phono input, or an external Phono Pre-amp. To connect to computer for burning CD's just order one of our inexpensive Phono Pre-Amps and cable kits.

 Plays 16, 33, 45 & 78 RPM records. Selects 7", 10" or 12" record size. As stated above, this table has had EXTENSIVE refurb / restore work. Cosmetically, the table looks great.
 Again, our turntable tech has completely and EXTENSIVELY gone through this table (total tech time ~17+ hours).  
Following, and ONLY DUE TO the above restoration / refurbishment, the table starts as it should, and end's as it should with no 'end groove hang up'!  (While Dual purports stacks of 5 LPs as 'typical', normally you should typically only get about 3-4 on a stack with no issues, and you won't always get '6' to work, but... this table, #2184 was test played thru 25+ cycles and tested thru multiple stacks, with 6X LP's stacked with no issues!!! Occasionally you'll have a record 'hang up' or 'double drop', but that's almost always due to errantly drilled, elliptical or center holes that are 'too tight' in one of the records.
 Overall the table works beautifully and all functions now work GREAT! We also re-installed a Shure cartridge with a brand new M91-E stylus and optimized the table for it.  (If you prefer an up-grade you may also choose from our selection of new Audio Technica cartridges that we can also set up and ship with it for the additional cartridge cost.) You can readily connect this table to any receiver, Integrated amplifier with a standard magnetic phono input, or a Pre-amp. To connect to computer for burning CD's just order one of our inexpensive Phono Pre-Amps and cable kits. Again, this table looks near new and works great!!
 
Famous, sought after, and one of their more 'durably designed' DUAL 1209, fully automatic changer phonograph. This is one of only two "Dual 1209s" that we've had in over 20 years that we've restored (due to finally having a technician that's up to the task). Very nice Dual 1209 Stacker / Changer / Single play, Fully-Automatic turntable. One of the most sought after Dual's due to it's 'simple and durable' design. Very difficult to 'break' one of thes.
These are very well built turntables featuring an adjustable speed belt drive platter, but here's the VERY IMPORTANT POINT about the 1209.  It is one of the few Dual models, offering 'adjustable platter speed' that does NOT utilize a 'toothed belt'. It uses a 'tapered' motor drive pulley. The original 'Toothed' belts, utilized by Dual on MANY of their turntables are now 'UNOBTAINIUM' now, and any of the original / NOS ones still floating around are likely 'dry rotted' and useless. We've tried 'O-rings' (both single and double) with limited success. NOT to worry on this model as it doesn't use that system at all (and that is VERY important).

Dual 1209 Features:
 
- Fully automatic operation
- Super heavy platter
- Idler tire drive (no belt needed)
- 'Pitch Control' does not utilized the 'toothed belt' that is now ''Unobtainium'!!!

- Single play or Stacker / Changer operation (both 'single and LP 'stacker' spindles included with this one)
- Tone arm cueing lever
('Cueing function defeated when used with 'stacker spindle' for safety)
- Record size selector for 7", 10" or 12" discs to adjust starting position and as a safety to insure that the stylus is not lowered onto the platter with out a record
- Adjustable Platter Speed control (does require 'monitoring' chart)

- 33 1/3, 45 & 78 RPM speeds

- Low mass, straight, metal tube tone arm
- Standard 1/2" mount cartridge head shell
- Tracking force and Anti-Skating adjustable ('course' tracking by 'weight' and 'fine' tracking by 'spring')


Dual 1209 Specifications:
 
Motor:
Synchronous, Split/4-pole Motor, with 'Radial-Elastic' suspension
Drive: Idler Tire / Rim Drive
Platter: Non-Magnetic, Dynamically Balanced. Weight 1.8Kg / 4lbs!, 270mm
Pitch Control:  6% (again DOES NOT utilize a 'toothed belt')
Wow & Flutter:
 ± 0.09%
Speed Accuracy deviation: <0.09%
Rumble: Un-weighted: -42dB  / Weighted: -57dB
Tonearm: Extra-long, torsionally rigid metal arm, mounted on 4 point Gimbal type on vertical needle bearings and horizontal ball bearings with hard, and polished races. Dual 'Sled Head' headshell.
Cartridge: Accepts all 1/2" mount with a weight of 1-12 grams (incl. mounting)


Again, as previously stated, the table has just been completely gone through by our senior turntable technician and is "Ready to Go"! Following refurbishment / and final inspection / sign off, the table has gone thru a minimum of 25 play cycles, including a minimum of 6 plays of 6x record stacks. You will not be disappointed in this table for all around use.
Comes with and original, Dual "Stacker / Changer" tall spindle we ordered from Europe and 'short / single play' spindle and a pair of 'up-graded' RCA interlinks. Measures 18" wide x 16" deep x 9" tall and weighs a heavy 16 lbs unpacked. Includes our standard 30 Day limited warranty.
DUAL 1209
#...2184
Cond. 8.5+

$899.

Including 'Square-edged Dust Cover'

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)
 
 

 

 

 

 

 

     
   

 

      



 

NEW LISTING 2/26/2020
REFURBISHED / SERVICED
VINTAGE PIONEER CASSETTE TAPE DECK
PIONEER CT-F600
'BLUE METER' SERIES
CIRCA 1979-80
MIJ

"WORLD AC POWER"

for sale

ü We have gone through this unit quite some time ago for ourselves to use, and just ran it through the shop again which involves disassembly of the transport, cleaning inside and out, DISASSEMBLING, cleaning and re-lubricating all internal mechanisms and the balance of efforts listed below (difficult on this deck!!!).

ü Heads inspected for excessive wear (obviously we do this 'early on' as 'excessive' wear will usually negate any further restoration work).

ü Main Capstan / Flywheel belts replaced during original service

ü Counter belts replaced during original service

ü Idler tires replaced during original service

ü Idler tires reconditioned during this most recent service

ü All internal trim pots, switches and controls tested for noise-free function.

ü All meter lAmps and LED indicators working fine.

ü Both hub spindles in perfect alignment.

ü FF, REW, & Play transport functions all test and controls tested for 'positive / accurate' responsive is what we normally like to say, but due to the internal design of this one, we were not able to get it to perform 100%, EVERY time. Occasionally the 'STOP' button will have to be pressed a time or two, or another button will need to be pressed to then be able to engage 'STOP'. Other buttons sometimes 'hang up' temporarily, but usually selecting another transport function will 're-set' them as they're 'self cancelling / mechanical' with an internal mechanism that was unusually difficult to service and get to the current 'usable' state.

ü Heads in great shape as well, with many years of performance left in them

ü Heads have been cleaned and de-magnetized as well as the entire transport.

ü Head alignment and azimuth at 125Hz, 1kHz and 10kHz adjusted for BOTH directions for 'peak performance' with O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Both Internal playback amplifier channels adjusted with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK..

ü Meters adjusted to even zero with symmetric input with Volt meter, O-Scope and w/ STL and TEAC MTT-257H calibration / alignment tapes. Both channels now even output for PLAYBACK.

ü Both Internal Record amplifier channels adjusted with Volt meter, O-Scope and sine-wave generators and 'pink / white noise sources', however we were not able to get great recordings. The left channel is often 'low / and distorted' on 'Recording' (sounds fine as a 'PLAYBACK' deck).

ü Pinch roller and heads all in GREAT condition!!!

ü Speed adjusted to 100% accuracy BOTH directions, with with TEAC MTT-257H 1kHz factory calibration tape (meaning 1kHz calibration tape plays back at 1000Hz ± 1 Hz)

ü Pinch roller re-surfaced, and in GREAT condition!!!

ü Tape Counter works well

ü Speed adjusted internally to 100% accuracy with 1kHz factory test tape (meaning 1kHz calibration tape plays back at 1000Hz ± 1Hz) (utilized TEAC MTT-257H)

ü Floor noise measured at -60dBm

So again, this deck was ultimately passed as a 'Playback' deck.


Total technician time to restore
~19++ HOURS! (YES, OUCH!)

  ____________________________
  
This deck is the commensurate deck for other Marantz components such as the Marantz Escotec SC-7, SC-8, SC-9, SC-50 0 SC-2000 Pre-Amps, the SM-8, SM-500DC, SM-2000 Power Amps, EQ-20 Graphic Equalizer, PM-8, PM-450 or PM-730 Integrated Amps, ST-500 Tuner and many others. I sold all of those components when they were new for a Marantz dealer. If you're building that system (or already have most of that system) and need the matching cassette deck (for Playback), then here you go. This one is probably as good as it's going to get, as I don't know of any tech's who would be willing to bring one any further to completion

Marantz SD-3510 Features include:
  

- Retractable, Drawer Tape transport
- Adjustable Fine Bias Control for Recording
***
- 'Soft Touch', mechanical transport
- Dolby-B noise reduction built-in for recording
*** and playback
- Beautiful, Back-Lit VU signal level Indicators
- Manual Record Level with Separate L&R control
- Record 'Mute' function
- Front mounted, 1/4" Stereo Headphone jack
- Dual, Front mounted, 1/4" Microphone jacks
- 4-Position, Tape Type Selector for Normal, CrO2, Ferro-Chrome & Metal tape

- Tape Counter

  - True “
WORLD AC POWER"

   as it will work on both 50 or 60 Hz AC and voltages from 110-240 Volts AC

*** again, at this point a moot point as its best for Playback purposes

Marantz SD-3510 Specifications:

Style
Slim / Top Load
Track format: 
4 track / 2 channel
MotorDC Servo
Heads: Super-Hard, Alloy Play / Record head & Double-Gap, Ferrite Erase head
Freq Response w/ Dolby OFF: w/ Metal; 30-17,500 Hz ± 3dB
w/ Chrome / CrO2; 30-16,000 Hz ± 3dB @
w/ 'Normal'; 35-15,000 Hz ± 3dB
Wow & Flutter (WRMS): 0.10% WRMS
S/N:
>65dB w/ Dolby B
>56dB w/ Dolby Off
Line Input Sensitivity: 50mV ± 3dB
Output Level / Impedance for 'Normal' levels: 500mV ± 3dB
& 8.5k Ohms
Headphone Output Level / Impedance for 'Normal' levels: 50mV ± 3dB & 60 Ohms
Fast Wind time (C-50 0): 
90 sec.

Again, we have service and thoroughly tested this deck and offering it for 'PLAYBACK' purposes.
Cosmetically, it's in decent condition with a scratch on the right side of the face & some scuffs on the top of the face panel (see photos above).
Great deck for just about any system. Also great for transferring your tape collection to CD, Hard-drive or MP3 for just playing your tapes. Includes an 'e-copy / pdf download' of the Marantz SD-3510 owners manual.
Measures 17.3" wide x 12" deep x 4.5" tall
and weighs a ~12 lbs unpacked.
REFURBISHED / SERVICED for PLAYBACK MARANTZ SD-3510
Cond. 8
$299. as-is

(tape shown in photos not included. We do ship our decks with a  a 'pre-recorded' tape for playback, made on this 'specific' deck, and a tape to 'practice record' on.) 

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)




 

     

 


NICORDER 750 FEATURES:



- Stereo Record and Playback on 4-Tracks
- Monophonic record and Playback on 4-Tracks
- Stereo Phonograph with Simultaneous Recording Available
- Your voice may be recorded while taping from Phonograph
- Can be used as a public address system, with Simultaneous Recording Available
- Built-in Stereo Recording / Playback 2-Channel Pre-Amplifiers, plus 2-Channel 4 Watt Amplifiers (Tube)


NICORDER 750 SPECIFICATIONS:



Recording Track / Head / Head-stack Format: Inline (4-track / 4-channel, stereo / monaural system) AC Bias

Ferrite Erase and 'Permalloy' Record and Playback heads
Motors: 3X. Capstan motor: 4/8 pole, large size Hysteresis synchronous. Reel motors: 6-pole, eddy current

Reel Size: 7” max
Tape Speeds: 3.75 ips or 7.5 ips (can be adjusted from ??ips Max to 2.75ips min by Variable Speed Regulator
Phonograph
Speeds: 78RPM, 45RPM & 33.3 RPM (16RPM???)
Tape Speed accuracy: 0.5%
Frequency Response:
40-16,000 Hz @ 7.5ips.

50-10,000 Hz @ 3.75ips.

Wow and Flutter: >3% @ 3.75ips & >2% @ 7.5ips
S/N ratio: >45dB
Crosstalk; >50dB down adjacent track
Record Level Indicator: Dual VU Meters
THD: >1% @ 0VU & @ 1kHz. 3% @ +9VU & @ 1kHz
VU Meters; approx; -25dB to +5dB VU range

Bias Frequency; 100kHz

Line Input: Impedance 'High'
Microphone
Input: 50kΩ
Record Level Calibration: 0 VU reference is 250 nWb/m (nano-Webers per meter) tape flux level; adjustable LED’s preset to turn On at signal level of +10 VU.
Line Output: -10dB (0.3V) nominal & -+18dB (8.0V) nominal /  Impedance 10kΩ unbalanced

Fast Wind Time: Approx 120 Seconds for 1200'
Tube Compliment: 2x "6AU6", 4x 12AX7, 2x "6AQ5", 1x 6AR5 & 1x "5RK16"
Start Time (stop to full motion play): .05 sec @ 15ips & .04 sec @ 7.5 ips

Output Power (Amplifier) 4W / Channel
AC Power Requirements: 50 & 60Hz,
??"V & 180 Volt Ampere Max
Dimensions &
Weight (Tape Deck): 20" W x ??"D x 9" H & 48 lbs
Dimensions & Weight (Speakers clipped together as a pair): 15" W x ??"D x 12.5" H & 19 lbs
 

 

 

 

 

 

 

 

 

 

Design type: 2 Channels, Analog operation
Frequency Response (non-phono input): 1-250kHz +0 / -3dB
Maximum Output Level: 5V

THD Tuner, AUX and Tape, 20-20,000Hz: 0.004% @ 1V output
Signal / Noise Ratio: 108dB!!! @ Tuner, Aux, Tape A/B inputs
Input Sensitivity AUX / Tape @ RCA's: 150mV @ 47k Ω @ 1kHz for rated output

Output AUX / Tape @ RCA's: 150mV @ 47k Ω
Subsonic Filter: >-3dB @ 30Hz, 6 dB/Oct
Loudness Control: 0-+9dB continuously variable (-30dB Vol Level)


PHONO SECTION SPECS:
Freq Response: RIAA Standard curve
30Hz-20kHz w/ RIAA deviation of ±0.3dB
S/N: >87dB MM, >70dB MC

THD Phono MM or MC, 20-20,000Hz: 0.005% @ 1V output

Input Sensitivity (nominal) MM: 2.5mV @ 47
Input Sensitivity (nominal) MC: .25mV @ 100Ω
Phono Overload for MM: 200mV yields THD 0.005% @ 1kHz
Phono Overload for MC: 15mV yields THD 0.005% @ 1kHz

    

 

dod 680

 

 
    

CONSONANCE COMPACT STEREO
    



univox micro-rhythmer 12

   

 


BEHRINGER HA4700

 

 

 

 



 
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

    




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DYNACO STEREO TUNER
DYNACO FM-5
FM TUNER
    

KENWOOD KT-5300
 
 
   
         
NEW LISTING 1/16/19
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MECHANICALLY SERVICED*
VERY VINTAGE EMPIRE 'TROUBADOR' TURNTABLE
EMPIRE 398G
(398G as it's the 'combination' of the 208G chassis / plinth, the originally optional 73-RU-096 Walnut base, and the 980G tone-arm)
GOLD ANODIZED

BELT-DRIVE, FULLY MANUAL TURNTABLE
3-Speeds

WITH AE TONE-ARM

Made in USA
Circa 1963-66
AS-IS, DIY COSMETIC RESTORATION

for sale

ü Our technician has mechanically & electrically gone through this table, which involves disassembly, cleaning inside and out and the balance of efforts listed below.

ü Original Start / Run capacitor works fine.

ü Motor and Suspension tensioned disassembled and lubed
(tech note: Motor thrust bearing in excellent condition...motor has lots of torque, smooth and quiet)

ü Spindle disassembled, cleaned, thrust pad removed and examined to be in excellent condition. Lubed with synthetic machine oil. (tech note: very quiet and smooth. Test spin with no belt results in platter coasting for 1 minute and 45 seconds!)

 
ü Tested / analyzed and passed for motor noise and 60Hz hum.

ü Fresh, new 'Lord Rubber' motor mount grommets installed

ü Fresh, new 35.1 FRB drive belt installed

ü Platter runs currently runs at 95.5% correct at +4.5% (filing / machining the motor pulley down would improve it further)

ü Platter tested for 'true flat' with no 'run-out'

ü Tone Arm weighting and ‘tracking’ adjusts well and accurately.

ü Original platter mat intact and supple

Professional "Troubador" series, Empire 398G / 208G / 980G Belt-Drive, Fully Manual, 3-Speed turntable. Very rare table, and first one we've had in over two decades (actually have owned this for nearly that long, but just now getting to it).
From the original 1963 Empire Troubador turntable ad, "A Professional turntable and arm finished in luxurious satin gold, and no larger than the average-size changer...a royal feast for the eyes and ears!...Presenting a splendid, new professional arm featuring perfect dynamic balance...even tracks upside down!"

Empire 398G Turntable Features:

- Professional Build quality
- Heavy Belt Drive platter
- 3 Speeds; 33 1/3, 45 & 78 RPM
-
Balanced, Hysteresis-Synchronous, Papst motor holds the platter speed 'rock solid'
- HEAVY, (6 lbs) Aluminum Alloy, Platter
/ mat combo
- Lighted Power switch
- Original 980 style Tone-Arm and matching AE 1/2" mount headshell
- Original, spring loaded, 45 RPM adaptor included


Empire 398G / 208G Turntable Specifications:


Motor: Balanced, Hysteresis-Synchronous, Papst motor
Platter Drive System:
Belt
Platter: Aluminum Die-Cast. 300mm / 12" diameter, 6 lbs (including rubber matting)

Speeds: 33 1/3, 45 & 78 RPM
Speed Control: AC Hysteresis
Wow and Flutter: > 0.07% (mostly due to the 6 POUND platter no doubt)
Rumble: >-65dB
980 Tone Arm BalanceType: Static balance
Head shell / Cartridge type:
Head shell fits Standard ‘Half Inch’ mount cartridge
Tone arm Type: Static balance type,
Adjustable Tracking force, curved arm tube, with Counter Weight
Tracking Error: Max ± .650%
Arm Resonance: 8Hz
Tracking Range: 0-8 Grams
 

Normally we would completely refurbish / restore a table. This one had two 'cosmetic' issues that were beyond our 'skill sets' or we simply didn't want to tackle. The first, and primary issue for us was the surface oxidation on most of the table, but especially the tone-arm. It simply wasn't practical for use to try and rectify or pursue. Second issue was the 'checking / flaking' of the original 'tinted finish' on the base. We have a guy that could have re-finished it for us, but then we're back to the 'oxidation' issue that we weren't going to address, so we would end up with a great looking base, but the balance of the table's cosmetic issues would now 'stand out'.
I have an affinity for this table, as every time I go to 'High End' audio shows, it's the table that is used by many of the speaker, cartridge, phono-pre-amp and amplifier dealers / manufacturers as they're way of demonstrating their gear. Part of my thought process is to keep it for myself (I don't mind my gear have a bit of 'cosmetic character / battle scars. Most of my old favorite guitars and Amps have plenty of 'road rash'), but I really don't have room for a third / fourth table in my current system (but of course that could change). So until I decide to keep it, it's for sale in 'working well, but 'as-is' cosmetic condition.

Again, our turntable tech has gone through the mechanicals / electricals of this table, and following restoration was tested for speed accuracy, rumble, wow & flutter, noise isolation, and tone-arm function.
Table looks good, sounds and works great! Again, comes with Shure cartridge, but needs a stylus (we can install something else if the purchaser desires for the cost of the cartridge).
Measures 17" wide x 15" deep x 8.5" tall and weighs a
HEAVY 36 lbs unpacked.
Partially restored Empire 398G (208G turntable on 73-RU-096 Walnut base, and 980G tone-arm.)
Cosmetic Cond. 6-7

$699.

(Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

 

 



 

 
 















 


 

 



CARVER TDR-1550


 

 




 

 
   

 

      

SAE MK-III

 


 
 
           

 

PIONEER SX-980

 

 

           

 

YAMAHA CR-2040

 

 

 

 



 (Click on above thumbnails to enlarge photos)

 warranty
 KENWOOD STEREO TUNER KT-89 KT89
AM/FM DIGITAL
 BLACK FACE

 "
WORLD AC POWER"™
 MILITARY ISSUE

 for sale

 Like New, Kenwood KT-89, black faced digital tuner. This rare model was not marketed in the US and was only available to Military Personnel. Features include:
 
-
Digital Quartz Synthesized Tuner
- AM / FM tuning (auto/manual)
- Fluorescent station display
- 30 AM and FM, Random, Direct Access station presets
- Preset Scan (scans all preset stations set to memory)
- "Tuned" indicator
- AM / FM Channel space selector combined with FM De-Emphasis selector for 75 or 50 μs
- Kenwood "XS" System Control jacks for use with other compatible Kenwood "XS" gear
- 1 un-switched AC convenience outlet
 (700 Watts)
- True " WORLD AC POWER"™ Operates on 50 / 60 Hz AC and voltages from 110-240 AC

 
 
TUNER SPECS FOR FM:
- RF Sensitivity (MONO): IHF Usable- 10.8 dBf (.95 μV)
- THD @1k / 65dBf output: 0.40% mono: 0.50% stereo
- Freq response: 30Hz-15kHz @ +0.5dB /-2dB
-
FM Stereo Separation @ 1000 Hz: 40 dB
- Signal-To-Noise Ratio (stereo) @1k / 65dBf output: 73 dB
 
 TUNER SPECS FOR AM:
 
-
RF Sensitivity: 280 μV/m (11 μV)
- Signal-To-Noise Ratio @ 30% modulation w/ 1mV input: 73 dB
 THD:  0.50%
 Output Level / Imp: (30% modulation w/ 1mV input ) 0.18 V/ 3.3kΩ
 
  
We have gone through it cleaning inside and out. All functions check fine and is ready to use. Not particularly vintage, but a great performing tuner, nonetheless. Looks near new and works great! Comes with a copy of owners manual. Unit measures 17.5" w x 10.5" d x 2.9" h and weighs 6 lbs unpacked. Includes our standard 30 Day limited warranty.
 KENWOOD KT-591
 Cond. 9+
 
$119.
  10/2/07

 

 

    

 


WESTERN ELECTRIC 'ROLL TOP DECK' PHONE

 

 


 



SETH THOMAS

BUTCHER BLOCK 

 

 


 

 

 


 

 

 

    

KLIPSCH RW-10

 

 


 

 

 




 

 

   

 

 

 




 

 
       

DENON AVR-1709

 

  

PIONEER F-99X

 



 

    

 

MARANTZ SR6200-U2B

    

 

SONY STR-DH700

 

 

       

Sony STR-DE875

 

 

     

 

YAMAHA TX-70
MAY HAVE ALREADY BEEN ???

 

 


 

   

 
 

  

KEN-TECH T-2018 CLOCK

 

 


 

 

- 


 



(Click on above thumbnails to enlarge photos)
 
PRE-OWNED
BUFFET CLARINET
MODEL B12
INTERMEDIATE STUDENT Bb CLARINET

for sale

This clarinet is modeled after the Famous Buffet Grenadilla wood clarinets from the 'old day's'. When I worked for a 'full-line' music store thru the 1990's, we would periodically have a 'vintage' Buffet come thru and they never hung around long once serviced for re-sale. It is what most clarinet players asked for. That and Yamaha's.  This is a Buffet B12 clarinet, again, designed after the 'vintage' horns for the student / beginner and into the intermediate market. The Buffet B12 clarinets are made from ABS resin with an appearance and sound similar to that of genuine Grenadilla wood. These models are lightweight, strong and easy to clean perfect for even very young players. The Buffet B12 model has a very attractive and traditional design with nickel-plated body rings, straight key work and a traditional bell ring. The body is buffed to give the appearance of wood. The nickel silver key work is cold forged and induction ered, providing greater stability, precision and quality. The B12 model is mounted with double fish skin pads which ensure excellent sealing.

 Features:
- Nickel plated keys, body rings & plated bell rings
- 65mm barrel
- 14.65mm poly-cylindrical bore
- Arched key cups (same as R-13 model)
- Staggered trill keys (same as R-13 model)
- Blue Needle Springs
- Adjustable 3-position thumb rest
- Ergonomic key design: Improved playing comfort like that of a professional clarinet
- Pointed needle springs for quality key action
- Undercut tone holes for improved tone quality and faster response
- High quality Double fish skin pads enables air tightness and are long lasting
- Blow-molded, hard shell case

 

Mouthpiece Assembly with Ligature, Cap and Mouthpiece

-           Cork Grease

-           Cleaning Swab

This clarinet retails for $925.00 (US).



 



 
 



 

 

 

  

 


SANKYO 402 FLIP CLOCK
 

 

     
 

        

 

 

 

    



GEMINI XL-100

 

 

     
   

 
     
    



 
    



NEW LISTING 8/22/11
(click on above thumbnails to enlarge photos)

CheckMarkSmall_web.jpg (792 bytes) warranty
 
PIONEER
 Vintage Stereo Headphones
SE-50 SE50

Circa 1969-72
MIJ
for sale
 Classic, Pioneer SE-50 Stereo Headphones in great condition. Work and sound GREAT! 6' coiled cord also perfect. No rips, tears or wear to vinyl headBand or ear cups. These phones sound great!!

Specs:
Speaker type / design: 2-way, 3" woofer / 1.5" tweeter
Frequency Response:
20-20,000Hz
± 3dB
Efficiency: 96.0 dB 1mV
Matching Impedance: 4-16Ω

Max power rating: 500mW


Comes with original Pioneer hard presentation / storage case and a copy of the owners manual.
Includes our standard 30 Day limited warranty.
 Cond. 8.5
$139.


 
   
     


 

 

 

 





 

   

  

 

INFINITY ENTRA SUB TWO

 


 

  

Speaker Stack for restaurant

 

     
     

    

ADVENT MINI II INDOOR / OUTDOOR

 

      

MISSION 717
          

INFINITY RS-4B

 

 

    

JBL L26 DECADE

 


INFINITY 1500
 

 

    

klipsch rw-10





 

 

 

 

    

SDAT LEB406 SUBWOOFER

 
   
     
        

FISHER ST-830 STUDIO STANDARD SPEAKERS
Jensen_System-300_Stereo_Speakers_web.jpg (29583 bytes)       Jensen_System-300_Stereo_Speakers_collage.jpg (206162 bytes)

(click on above thumbnails to enlarge photos) 
CheckMarkSmall_web.jpg (792 bytes) warranty
VINTAGE  
JENSEN

STEREO SPEAKERS

SYSTEM 300
Circa 1981-'85

Made in USA

CURRENTLY HELD FROM SALE

for sale

A bit short in the looks department, but long on sound.

We have completely tested them with both recorded material, W/N 20-20k and swept them with our AF generator.
These Jensen "System 300" speakers are very accurate and impressive sounding.  Features:

- 9" woofer
- 1" cloth soft dome tweeter
- Acoustic Suspension cabinet design
- 8
Ω

Foam surround on 9" woofer in fine shape with years life left in it before it will need to be replaced. Medium-dark Oak wood grain vinyl wrap finish in decent shape with a few normal scuffs and dings. Nothing too  distracting from overall appearance (see photos). Original brown grills in fair shape as well with normal amount of snags for 15 years old and unfortunately the small plastic Jensen badges are missing. Grills also have minor, light colored staining on lower 1/3 of each. Speakers test and sound great. Each measures 23" high x 13" wide x 10" deep and weighs a 23 lbs unpacked. Includes our standard speaker warranty ( excluding problems due to under / over powering).
JENSEN SYSTEM 300
Condition 7.5

$239. pair

CURRENTLY HELD FROM SALE


 
 (Above text, in it's entirety, property of www.oaktreevintage.com / Oak Tree Enterprises, LLC. See 'Copyright Information' page for details)

 

Yes, we know, EVERYTHING (at least all the receivers) are  OUT
currently.
We will be posting more in the future.
We are currently focusing resources on expanding our receiver 'Parts Department' AND 'refurbished' stereo receivers sell faster than we can get them refurbished, and it's a slow process getting them ready.
 
    

 
     

 
 
     

 

 

LINKS TO OUR 'HI-FI' DEPARTMENTS

Amps and
Pre-Amps

Receivers

Cassette
Decks

Tuners

Turntables

8-Track Decks

CD Players

Reel-Reel
Decks

EQs and Signal
Processors

Speakers

Betamax and
VHS VCRs

Turntable Cartridges

Tube Audio

Ne'cessories

Speaker Parts

Record Players

Vintage Radios

Vintage
Walkmans

Headphones

Stereo Parts


Wondering where the "tone" you remember went?....


 

.... Surround yourself with Silver and find it again!



POLICIES, SPECIFICATIONS, AVAILABILITY, INFORMATION
AND PRICING SUBJECT TO CHANGE  AT ANYTIME  AND
WITHOUT PRIOR
NOTICE
and changes may not be posted to web immediately
.
 

20-30% restock fee / service charge applies to all returns for refund depending on item specifics & / or individual distributor / drop shipper policies.
See our "
Warranties / Returns" page via the link below for more details.

$20. Minimum Orders

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